Starting from the same shape of the support, quadrangular shapes move to scale from the outside towards the inside.
The white traces, which continue even in the innermost part, changing shades, give rise to subdivisions of spaces and a continuous interchange where the various elements move. The tones within the outermost perimeters have a prevalence of blues and shades of ultramarine blue, with minimal contrasts of yellows and greens, bright, in a sparse and balanced way by more contrasting and more decisive oranges.

In the last part, the most central one, which actually reintroduces another painting, the work ends with a completely autonomous and detached ending from everything else, as if it were a painting within a painting.